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Success, it seems, has not tamed Van Sant’s singular vision. After making the low-budget “Drugstore Cowboy,” an unexpectedly original look at the junkie culture of the early ’70s - named the Best Picture of 1989 by the National Society of Film Critics - Van Sant’s next career move became an object of intense curiosity in Hollywood. The big studios, recognizing a striking new talent, came courting with lucrative offers. Van Sant has two deals lined up– filming Tom Robbins’s novel “Even Cowgirls Get the Blues” for Tri-Star and a movie about Andy Warhol for Universal....